The fact that we’re now considering MJ and Prince “classics” notwithstanding, the song’s popularity is a pretty good indicator that the Billboard charts have shifted violently away from Pitbull-addled EDM. The most obvious (and cringe-worthy) example is MKTO’s “Classic,” bearing the flag of pop’s “return to roots” with the subtlety of a sledgehammer and a proclivity towards slickly-produced arena-fillers worshipping at the feet of Adam Levine circa Hands All Over. Review Summary: This ain't love, it's clear to see.įor those of you who don’t listen to the radio on a regular basis (and judging by the abundance of metalheads on Sputnik, it’s likely that most of you don’t), the top 40 has started moving back in the direction of a rose-tinted affirmation that the past had some darn good music.
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